Volume 27, No. 4

     by Monia Acciari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Falling Outside the Tracks We Laid:  An Exploration through Prose, Pictures, and Film of the Engineered Diaspora of Indiana-Kenyans after Kenyan Nationalism and British Colonialism

     by Prathima Anandan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Male Immigrant Response to Katherine Mayo's Mother India
     by Anupama Arora. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Questioning the Accountability of South Asian Diasporic Authors

The (Re-)Imagining of the Culture Clash Myth in Second-Generation South Asian-American Narratives

Deepa Mehta's Water and the Cultural Politics of Diaspora

     by Chandrima Chakraborty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The East and the West in Swades and The Mistress of Spices:  Search for Global Indianness

Diaspora at Home?  The Diasporic Singapore Malay in Alfian Saat's Short Stories

Versions of America:  Reading American Literature for Identity and Difference

     by Raj Chetty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

"Music, Such Music, Is a Sufficient Gift":  Love and the Marking of Whiteness in Vikram Seth's An Equal Music
     by Cara Cilano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

From Displacement to Assimilation:  Redefining Bharati Mukherjee's Narratives of Diaspora

     by Surekha Dangwal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Pariah or Messiah:  Gogol Ganguli and the Problematization of Transnational Identity
     by Aparajita De. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Afloat, Adrift but Bonded:  Uneasy Postcolonialism in Ananda Devi's Novels
     by Shirin E. Edwin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Can This Marriage Be Cured?  A Reading of the Medico-cultural Metaphor that Informs Jhumpa Lahiri's Interpreter of Maladies
     by Brewster E. Fitz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Traversing Transnationalism in a Postcolonial Body:  Ishtiyaq Shukri's The Silent Minaret
    by Ronit Frenkel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Displacement and Subjectivity in V. S. Naipaul's Early Novels

     by Bed P. Giri. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Does Tamil Mean Sri Lankan?  Locating South Asian Literature in the Canadian Classroom

     by Aparna Halpe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nayantara Sahgal and Namak-Halaal Cosmopolitanism

     by Pranav Jani. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

"They Don't Know Our Songs": Diasporic Identity in Chandani Lokuge's If the Moon Smiled and Yasmine Gooneratne's A Change of Skies
     by Maryse Jayasuriya. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Multiple Identities:  Being at Home in the Diaspora

     by Parmita Kapadia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Retracing an Alternative South Asian Immigrant Discourse of Class and Interethnic Solidarity in Sadhu Singh Dhami's Maluka
     by Rajender Kaur. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Question of Identify/Pluralistic Identity in Chitra Banerjee Divakaruni and Jamaica Kincaid
     by Ashmita Khasnabish. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Kunzru's The Impressionist and the Problematics of Identity
     by Navneet Kumar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

From Postmodern to Premodern:  Jhumpa Lahiri's The Namesake and the Realist Trend in South Asian Fiction

     by Rebecca Kumar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

World Citizenship and Its (De)territorialization
     by Mihra Lee. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Farida Karodia's and Beverley Naidoo's "Wide Open Spaces":  Indian Diasporic Voices in South Africa
     by Cynthia Leenerts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Of Homes and Worlds:  An Engagement with the Politics of Diasporic Identity
     by Nivedita Majumdar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Rushdie, Cinema, and the "Chutnification" of National Culture:  A Close-Up of Midnight's Children
     by Krishna Manavalli. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Salman Rushdie's Shalimar the Clown:  Love and Terror in Paradise
     by Harveen Mann. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Pregnant Exchanges:  Staging Contemporary Relations between the U.S. and India on the Female Body
     by Charlotte McIvor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Diasporic Meditations on the Secular:  The Politics of "Unbelonging" in Rohinton Mistry's Family Matters
     by Roger McNamara. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Religion and Hybridity:  Reinvention of Faith in Monica Ali's Brick Lane

     by Z. Esra Mirze. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Cartographies of Violence:  From Salman Rushdie's Shame to Nadeem Aslam's Maps for Lost Lovers
     by Deepti Misri. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Singular Hybridity
     by Mary Anne Mohanraj. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Between the Ebb and Flow of Identity:  A Reading of Amitav Ghosh's The Hungry Tide
     by Kaustav Mukherjee. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Look Behind the Silence:  Language and Identity in K. S. Maniam's Fiction
     by Aniruddha Mukhopadhyay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The (Dis)Location of Culture:  Articulating Postcolonial Subjectivity through Melancholia

     by Pashmina Murthy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Chameleon Writers
     by Lalita Noronha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Religion and Diaspora:  Islam as a Traveling Culture in the Malaysian Nation-State
     by Noritah Omar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Partition and the South Asian Diaspora in Canada
     by Prabjhot Parmar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Traces of Indian Folktales in the Travel Memoir of a Diasporic Writer
     by Moumin Quazi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

"With You Every moment in Time":  Practices of Risk in Insurance and Spiritual Healer Advertisements
     by Amit S. Rai. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Violence, Family, and Subalternity:  Discerning the Excessive Other in M. G. Vassanji's The In-Between World of Vikram Lall
     by V. G. Julie Rajan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The "Indian" Lesbian ImagiNation:  Queer Locations

     by Aneeta Rajendran. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Popular and the Postcolonial:  Lagaan and the Aesthetic Pleasures of Liberal Nationalism
     by Archana Rampure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Re-framing "British" Muslims
     by Ruvani Ranasinha. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

From Diaspora to the Homeland:  A Study of Syed Syeikh Al-Hadi's Contribution to Malay Literature
     by Mohd. Zariat Abdul Rani. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Family, the Springboard of Expression in the Fiction of Rohinton Mistry and M. G. Vassanji
     by Seema Rathore. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Brown Mythologies
     by Manav Ratti. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Interstitial Habitat:  Feroza's Search for Identity/Identification in An American Brat
     by Amber Fatima Riaz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Navigating Identity:  Postcolonial and Transnational Relationships in Divakaruni's Mistress of Spices
     by Beth L. Robertson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Globalization and the Negotiation of Islamist Identity in the Contemporary British-Asian Novel
     by Bidhan Roy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Female Desire, "Poisoned by a European Kiss," In Shauna Singh Baldwin's What the Body Remembers
     by Sharanpal Ruprai. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Diasporic Intertextuality:  When the Whole is More than the Sum of Its Parts
     by Purvi Shah. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Race and Nationalism in Ghadr Poetry
     by Amritjit Singh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Negotiating Tradition:  Filmic Confrontation of Globalization and Cultural Transformation
     by Angelee K. Singh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Indian Diaspora in Postcolonial Burma and Ideas of Cultural/National Belonging in Amitav Ghosh's The Glass Palace and Mira Kamdar's Motiba's Tattoos
     by Jaspal Singh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Constructing Ethnicity in the Diaspora:  The Case of Tamil Eelam
     by Anushiya Sivanarayanan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

"Over Here":  Rethinking South Asian Diasporic Communities

     by Anantha Sudhakar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Contentious Grounds:  Empowerment within Patriarchy in Monica Ali's Brick Lane
     by Rebecca Sultana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

"Lines in the Dirt Were All Very Well but They Only Delayed Matters":  Smudging and Blurring the Hard Lines of Nation and History in Rushdie's Shalimar the Clown
     by Pennie Ticen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Innerscapes:  The Hidden Diaspora
     by Eva Roa White. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .